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Howrah Bridge New Trailer

Posted : November 6, 2017 at 4:17 pm IST by ManaTeluguMovies

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Janhvi Kapoor’s Devout Pilgrimage to Tirupati Balaji Temple

Posted : March 26, 2024 at 11:52 am IST by ManaTeluguMovies

Actor Janhvi Kapoor recently undertook a pilgrimage to the sacred Tirupati Balaji Temple, a journey that garnered significant media attention. A video documenting the visit went viral, showcasing Kapoor’s devout practice of climbing a portion of the temple stairs on her knees. This act of devotion highlighted her deep spiritual connection with the temple, a place she has visited nearly 50 times.

The video, featured on the vlog of Kapoor’s friend Orry, captured not only the physical act of climbing the stairs but also offered a glimpse into the spiritual significance behind it. In a conversation for the vlog, Kapoor explained, “I have a deep spiritual connection with the temple. Having visited nearly 50 times, I climb the steps on my knees to fulfill an offering I made to Lord Balaji.” This personal revelation sheds light on Kapoor’s dedication to her faith and the importance she places on her visits to Tirupati.

Kapoor’s pilgrimage wasn’t just a solitary spiritual journey. The video also featured her rumored beau Shikhar Pahariya, showcasing their possible shared faith and values. Additionally, Kapoor’s frequent visits to the temple, sometimes with family and sometimes with Pahariya, further emphasize the importance of faith in her life.

This recent pilgrimage to Tirupati coincides with the buzz surrounding Kapoor’s upcoming film project, “#RC16,” co-starring Tollywood star Ram Charan. A photo shared by Charan on social media depicts him meeting Kapoor and her father, Boney Kapoor, further amplifying the excitement for the film.

In conclusion, Janhvi Kapoor’s recent pilgrimage to Tirupati Balaji Temple transcended a mere celebrity visit to a holy site. The video offered a window into her deep faith and her commitment to fulfilling a personal vow. It also hinted at the significance of faith in her personal life and served as a potential glimpse into the upcoming film project that has generated significant anticipation.


Recent Random Post:

A Shift in Gears: Maruthi’s Evolving Filmmaking Approach

Posted : March 24, 2024 at 7:06 pm IST by ManaTeluguMovies

Maruthi, a name synonymous with successful low-budget films in Tollywood, has carved a niche for himself by prioritizing strong narratives over big stars and extravagant productions. Films like “Ee Rojullo” and “Bus Stop” stand as testaments to his ability to deliver compelling stories with a focus on efficiency. Even when collaborating with established actors like in “Bhale Bhale Magadivoy” and “Mahanubhavudu,” Maruthi maintained his signature style, keeping budgets tight and production schedules swift.

However, a recent development has sparked intrigue amongst fans. Maruthi is now directing Prabhas, the pan-Indian superstar known for his larger-than-life projects like “Baahubali.” This collaboration has raised questions about Maruthi’s filmmaking approach. Will he adapt to Prabhas’ high-budget, time-intensive style, or will he manage to infuse his signature efficiency into the project?

Early reports suggest a significant shift. Maruthi’s previous film, “Ee Rojullo,” was reportedly made for a mere ₹30 lakhs, a stark contrast to their current project with Prabhas, “Rajasaab.” News suggests a budget of nearly ₹4 crores spent in just four days of shooting on “Rajasaab.” Maruthi himself acknowledged this change, stating that with a different film, this budget could have produced several projects.

This collaboration has ignited a sense of anticipation. Will this shift in budgetary constraints impact Maruthi’s storytelling strengths? While fans appreciate his pragmatic approach, the potential for a high-production-value Prabhas film directed by Maruthi is undeniably exciting. Only time will tell if this collaboration will lead to a successful marriage of Maruthi’s signature style with the grandeur associated with Prabhas’ projects. The wait for “Rajasaab” promises to reveal whether this marks a definitive change in Maruthi’s filmmaking journey or a one-time foray into a new territory.

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