There is no clarity on star writer-director Trivikram Srinivas’ upcoming film. After ‘Guntur Karam’, the ‘Athadu’ maker was supposed to work with Allu Arjun and the project was officially announced as well. But the Icon Star is expected to work with Atlee after wrapping up ‘Pushpa: The Rule’. Apparently, Trivikram has a ‘Plan B’ if things don’t work out with Bunny.

As per sources, he is planning to make a movie with either Vijay Deverakonda or Nani. The combination with either hero will be quite refreshing as Trivikram has been repeating his heroes a lot over the past decade. But insiders suggest that Trivikram and Vijay Deverakonda should have worked together a lot earlier. As per reports, Trivikram narrated a story with Vijay after ‘World Famous Lover’. It was almost confirmed but ‘Liger’ came in the middle.

Trivikram made slight changes to it and made the movie with Allu Arjun. It is ‘Ala Vaikunthapurmalo’. Apparently, Vijay was supposed to work with Trivikram once again. The ‘Arjun Reddy’ hero okayed the story but the problem arrived with the production house. While Vijay is committed to a particular producer, Trivikram works only under Haarika & Hassine Creations. Trivikram took that story and started a movie with Trivikram but it got halted midway. The star director came up with a new story for Mahesh and made ‘Guntur Karam’.

If things go as planned, Trivikram and Vijay Deverakonda may get lucky the 3rd time. Let us wait and see if it happens or not.

Global star Ram Charan has carved a niche for himself in Indian cinema, often portraying righteous police officers. His Bollywood debut in “Zanjeer” saw him play ACP Vijay Khanna, while movies like “Bruce Lee: The Fighter” and “Dhruva” showcased him as IB officer Vikram Kumar and IPS officer Dhruva, respectively. However, SS Rajamouli’s “RRR” presented a unique challenge for the actor.

According to cinematographer K. K. Senthil Kumar, Charan was initially taken aback by the film’s narrative. The shocking element was the introductory scene where his character, Alluri Sitarama Raju, is seen beating other Indians. Charan expressed concerns over playing a character with such a seemingly negative portrayal, fearing it might damage his image and that of his legendary father, Chiranjeevi, who has been in the industry for over 45 years.

hHowever, Rajamouli’s vision ultimately won Charan over. The key lay in the character’s arc. The initial scene, though visually striking, was revealed to be a part of a larger story with a deeper purpose. Charan understood that the brutality had a reason, a hidden motivation that would unfold as the film progressed. This gamble paid off spectacularly.

The audience connected deeply with Charan’s character, not just within India but across the globe. The film’s success is a testament to Charan’s willingness to embrace a complex role and Rajamouli’s ability to craft a captivating narrative that transcended initial perceptions.